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HONOURS PROJECT

EMBODIED TERRAINS

How can a painting practice critically unpack visualisations of a connection to the Australian landscape from a settler-colonial position?

Read my Thesis

I’D LIKE TO ACKNOWLEDGE THE GADIGAL PEOPLE OF THE EORA NATION AS THE TRADITIONAL OWNERS OF THE LAND UPON WHICH I BASE MY PRACTICE. I PAY MY RESPECTS TO ELDERS PAST, PRESENT AND EMERGING.